If you’re into comics even the least little bit, chances are good the name Scott McCloud has crossed your radar. He’s better known for his comics about comics rather than the franchises he’s worked on, and for good reason – Understanding Comics is something I’d consider required reading for anyone working in a creative field.
Of particular interest to me is the concept of the “gutter” – the liminal space in comics (and arguably, in writing and games as well, and films and TV to a lesser extent) where the reader supplies the details of events between panels/sentences/scenes.
This focus on reader participation in Understanding Comics began to highlight the ways in which I exploit similar stylistic choices in my chosen mediums of short and novel-length fiction, and games. For example, from “Haven of the Waveless Sea”, where Fandral Staghelm relives the death of his son:
“Again.”The meaty rip, the buzzing song, the sound of hope dying.
Aka Angel-Demon Baby Daddies and The Bad Stuff.
I left talking about Deblanc and Fiore till the very end for a few reasons – to give more people time to catch up (have you watched Preacher yet? HAVE YOU?) and because I love them so obviously, I saved the best for last. In the comics, Deblanc and Fiore are barely there cardboard standouts that exist to provide some more jokers for Jesse to beat up in his search for God. They come to Earth to look for Genesis, but give up fairly early on in favour of the pleasures of doing cocaine and masturbating. Oh, Garth Ennis, you wacky scamp.
Beware the spoilers for all of Season 1 below, as well as a trigger warning for discussions on suicide & racism.
Last week, I started writing a post about theology in AMC’s Preacher, but as you can imagine, it got a little wordy, so I decided to split it into three parts to cover the six topics I’d loosely defined in the first post. (Part one of this series, if you missed it.) Today’s post is gonna cover two more: Grace and mercy, and Calvinism, Unfortunately.
Trigger warning in the discussion below for suicide, and pedophilia. As before, spoilers for the entire season behind the jump.
Sorry Not Sorry is a new series of blogs, dedicated to media I enjoy: video games, movies, books, etc. I intend for Sorry Not Sorry to open up a dialogue about the line between being a feminist and doing feminist things. The former doesn’t make everything you do automatically feminist (apologies to Lisa Simpson). The urge to close the gap between the two things is natural, I think, and ties in closely with feminists who feel the momentum of the movement flagging, attempting to flog life into it by expanding the definition of feminism so widely that it’s catching stray insects and the occasional neoliberal in its mouth these days. It has undermined the concept of subversion to the point of ridicule, where certain online circles take things like leg shaving or nail painting or high heels as a subversion of femme expectations, because they’re feminist and they’re not doing it because they have to! The average man on the street isn’t going to know that though, nor even are people you might hail as fellow feminists. It doesn’t mean you can’t do those things. It’s okay to be a feminist and enjoy watching Game of Thrones. You can be a feminist and read the Dresden files. It’s just that it doesn’t make those things feminist. Dig me?
So I open Sorry Not Sorry with Homestuck.